Haworth centenary: what’s in store?

The Haworth’s centenary as Accrington’s art gallery – the jewel in the town – is just around the corner. The fascinating photograph above was taken in 1921, the year the building was opened to the public. What a decorous entourage assembled for the occasion!

“This can’t last. This misery can’t last.” Laura Jesson, Brief Encounter.

As the Haworth staff and Friends volunteers prepare to mark the 100th anniversary (watch this space!), we’ve been hard at work documenting the gallery’s two major artwork stores, uncovering and preserving important artefacts in the permanent collection, many of which will help shape the event.

Our featured photograph was among the hundreds of items in the building’s watercolour store, work on which has been ongoing for the past year, documenting and assessing the condition of each item.

Among the many lovely discoveries were several sheet music albums belonging to William and Anne Haworth. At least one album, bearing William’s monogram and the date 1902, pre-dates the era when the Haworths lived in the house, then known as Hollins Hill.  Friends’ member Frances Prince, leader of the Red Rose Singers, is cataloguing this music, with plans for the group to perform some of it in the 2021 anniversary celebrations. The centenary exhibition will chart the story of the house and celebrate the people who lived and worked here from 1909 to 1920.

Mayoral insignia from the inception of Accrington Corporation, showing the lovely Town and Market Halls.

In addition to all the fantastic photographs and artwork, the store holds a variety of paper-based works, including cartoons, architectural drawings and copies of the documents and correspondence relating to the building of the house,

Among them was this illuminated manuscript (left), recording the bestowal of the mayoral insignia at the first meeting of the newly formed Accrington Corporation in 1878.

Also in this store is the original photograph album of the house from 1921, after Anne died and bequeathed the house to the Corporation. It shows the rooms and furnishings as they were when the house was her home. A copy of the album, sponsored by the Friends, is available at the Haworth reception desk for all visitors to see. Make sure to have a look on your next visit.

A romantic pen and ink sketch (above right) from the watercolour store suggests a Brief Encounter moment; a bittersweet image of an Edwardian-era couple, parting ways as his train prepares to leave. Also in this collection is a photographic portrait of Joseph Briggs (below right), who donated the vast majority of the Haworth’s Tiffany collection to his hometown.

Joseph Briggs, the local lad who became MD of Tiffany Studios and gifted his town the largest Tiffany collection outside the US.

In the early days of 2020, gallery staff, aided by eight volunteers, emptied the gallery’s oil store. Tasked with documenting and assessing the gallery’s more physically substantial works and re-hanging them in a more accessible order – we recorded each painting’s position in the store for ease of management.

Next on our list is documenting the Haworth’s extensive collection of art books, detailing works from Goya to Rembrandt and beyond.

Many of the works in these two stores will inform and illustrate the forthcoming anniversary exhibition, which will be a significant feature of the Haworth’s programme of events next year.

Looking ahead to 2021 has become a luminous objective. We very much hope to see you all there.

*If you’d like to help us realise any of our projects, or perhaps have information about any aspect of the gallery or its heritage – no matter how small – please don’t hesitate to contact us at haworthaccrington@gmail.com.

Hollins Hill Heyday

History enthusiasts gathered at Haworth Art Gallery today to see and hear the story of Hollins Hill, as the building was known in its days as a private home, told through the medium of a beautiful old photograph album.

An example of the lovely period photographs of the Haworth at the time of its bequest

The album was presented to the public for the first time since its restoration by expert bookbinders and restorers, Formbys Ltd. Haworth Curator Gillian Berry joined the Friends to talk about the restoration project and the Haworths’ bequest of their home, which prompted the album’s creation.

When the Haworths bequeathed their beautiful house and its contents to the town of Accrington, an inventory of their effects became necessary. Hence the album was commissioned: an astonishingly crafted, leather-bound document of the items in the bequest. Amazingly detailed with stunning photographs of the house’s interior, its exterior and the surrounding nine-acre parkland, the album was certainly more lavishly executed than was strictly necessary for the task. The exquisite photographs illustrated the individual rooms with all their contents just as though the Haworths had merely stepped away.

The album before it was restored to its former beauty by Formbys Ltd of Ramsbottom

Those attending today’s event were treated to the fascinating story of the album, which was restored from the very dilapidated state into which it had fallen, to the astonishing artefact now returned to its home at the Haworth.

The story of Hollins Hill’s heyday was also helpfully illustrated by the presence of a stunning contemporary (1913) SCAT automobile (main photograph), which was generously displayed on the Haworth Motor House forecourt by owner Gordon Cornthwaite. A jaunty addition to the period mood!

Pages prior to restoration

The Friends also raised funds by way of a tombola, the proceeds of which will complete the acquisition of a defibrillator for the gallery and park by providing high-spec housing for the equipment.

While the album itself will be carefully maintained and displayed on similar occasions, a facsimile will remain on display at the Haworth for the public to view.

Start the car and get yourself over to see it as soon as you can!

 

Peter takes a shot in the Billiard Room

Photographer Peter Graham has been working on interior shots of the Haworth to capture the overall layout of the rooms, the stunning plaster-work and intricate details of the wood carvings.  His photographs will be cataloged for the Haworth archives, as there are currently very few images of specific architectural details of the house.  They will also be displayed on our website and on other media.  Peter’s work here forms part of his second year degree syllabus for Photographic Media at Blackburn College.

Alison