Votes for Women! Local woman who inspired Emmeline Pankhurst

It is a truth almost universally acknowledged that women from the North West of England played an immense role in securing votes for women – the Pankhursts of Manchester are synonymous with the fight for women’s suffrage, as are the Kenneys of Saddleworth – but Accringtonians should be particularly proud of a pioneering suffragist even closer to home: Lydia Becker of Altham, who was an inspiration for the Pankhursts and so many other women of her day.

Lydia Becker, the Altham suffragist who inspired the teenage Emmeline Pankhurst

Becker, a noted and home-educated botanist and astronomer, got her own inspirational spark in 1866 from The Enfranchisement of Women, a paper by sister scientist, Barbara Bodichon. Its contents ignited her passion for voting equality and spurred her to start the Manchester Women’s Suffrage Committee, the first of its kind in the country, in 1867.

A few months later, when widowed shopkeeper Lily Maxwell’s name appeared by default on an electoral roll, Becker saw an opportunity for a promotional push. She accompanied Maxwell to the polling booth, where her right to vote was upheld. Becker encouraged other female heads of household to petition for similar rights and was instrumental in bringing their petitions to court.

In 1870, Becker and Jessie Boucherett started the Women’s Suffrage Journal and were soon organising speaking tours of the country. Lydia presented to an audience of 500 at Accrington’s Liberal Club on March 21, 1872. The following year, the club presented a women’s suffrage petition and just a few years later, the Accrington Liberals instructed their representatives to vote for women’s suffrage. (William Haworth, himself a staunch Liberal councillor, was no doubt familiar with his nearby neighbour). It was at an event organised by Becker in 1874, that a 15-year-old Emmeline Pankhurst attended her first gathering in favour of women’s suffrage.

In 1887, Becker was elected President of the National Union of Women’s Suffrage Societies. In Votes for Women: The Story of  a Struggle, Roger Fulford described Becker thus: “The history of the decades from 1860 to 1890 – so far as women’s suffrage is concerned – is the story of Miss Becker.”

More ardent in her support of votes for unmarried women than some of her fellow suffragists, Becker argued that single and widowed women were in even greater need of the vote than married women of means, who in 1918 became the first in the country to attain it. (On this point, Emmeline Pankhurst was to disagree with her). Becker also used her scientific acumen to campaign for equality in education, arguing that there was no inherent difference in women’s and men’s intellects.

This sometimes led to public ridicule, not least by politicians and the press. Lydia Becker was the subject of numerous cartoons, one showing her being thrown out of parliament wrapped in the Women’s Suffrage Bill.  But her legacy is of course one of pride to those who know her story and indeed there is currently an effort to commemorate her indefatigable efforts by local politicians.

Reformers’ Memorial, Kensal Green, where Lydia Becker rightly rubs shoulders with other Great British reform agents

Lydia Becker died in Aix-les-Bains in 1890, aged 63. Her name is marked on the grave of her father, Hannibal Leigh Becker, in the churchyard of St James, Altham – and, quite rightly, on the face of the Reformers’ Memorial in Kensal Green Cemetery, London, among the great historic figures of British reform and innovation.

 

 

Tiffany Turtleback Over the Pond

Turtleback chandelier, Image courtesy of Macklowe Gallery.

A delightful visit to the Cooper Hewitt, Smithsonian’s Design Museum in New York to mark its acquisition of a Tiffany turtleback chandelier from Macklowe Gallery  Housed in the former New York city mansion home of Scottish financier and philanthropist Andrew Carnegie, the museum has formally acquired this fine example of a Tiffany pendant lamp for permanent display in its recently restored Teak Room.

Subtly illuminating the Teak Room

As the home’s former library, the Teak Room is the most intact of the Carnegies’ family rooms. On the first floor (second if you’re American) of the  mansion, it is a burnished cocoon of a room, a sanctuary where the family could relax away from the house’s more public lower floor. Decorated by artist and interior designer Lockwood De Forest in the Arts & Crafts idiom, it is inspired by his infatuation, and that of his contemporaries, with Indian design and craftsmanship. Its ceiling’s filigree pattern depicts a bramble of interwoven branches against a field of lacquered ochre. The gleaming golden light of the chandelier illuminates both the ceiling and the lustrous red-gold sheen of the stylized floral wall coverings to subtle effect. Continue reading “Tiffany Turtleback Over the Pond”

Friends attend Talbot Conference showcasing major photographic archive

Friends were offered a fascinating glimpse into 20th century Lancashire working life and culture at a February conference highlighting exhibits from a major photographic archive. The inaugural Talbot Conference showcased the extensive works of Blackburn-based photographers Wally Talbot and his son Howard, whose commercial photography was widely commissioned by regional and national news media from the 1930s to the 1990s, creating a vivid documentary of local life and social history of the period.

The archive ranges in subject from industrial life in the early part of the century and bucolic scenes of the Lancashire countryside to major news and events of the times, including visiting music stars and celebrities. It is the subject of a major digitisation project in collaboration with Blackburn`College. Peter Graham, a student in the Photographic Media Degree Programme at Blackburn and a key contributor to this project, is also undertaking a ‘live brief’ photography project at Haworth Art Gallery as part of his curriculum.  Stay posted for more about Peter’s work on the Friends’ blog.

The inaugural Talbot Conference covered a range of subjects including the social, political, historical and technical contexts of the archive and provided an excellent opportunity to view this eclectic mix of images, some of which have never previously been published. To see these images and read more about the Wally & Howard Talbot Collection, visit  www.cottontown.org

A meaningful insight into local history and culture and a very welcome introduction to this amazing archive which more than merits a visit. A big thank you to Peter for the invites to the conference for our group!

Alison