Leader of Hynburn Borough Council Miles Parkinson has praised Haworth Art Gallery and its staff, describing the gallery as the town’s “jewel” to local news media. Cllr Parkinson’s remarks, published in the Lancashire Evening Telegraph, come as the Haworth leadership prepares to renew the gallery’s Arts Council England accreditation – and looks beyond 2020.
Haworth Curator and Deputy Manager Gillian Berry describes the Arts Council accreditation as the industry standard for museums and galleries and a necessary step for the gallery if it is to seek Arts Council or National Lottery Heritage funding. Accreditation lasts for five years.
Heritage lottery funding was critical to completion of the Haworth’s Stable Studios and Motor House into artists’ studios. It has been an invaluable component of the gallery’s ongoing development as a cultural nexus for the area. Which in turn enhances the Haworth’s ability to provide an exciting and varied programme of events throughout the year.
Proposals for future developments within the gallery complex are under wraps, but its programme of improvements in recent years has included a major reconfiguration of the Tiffany showcase rooms to highlight the story of Joseph Briggs and Accrington’s connections with Tiffany’s New York art studios. As well as the stunning redevelopment of the former greenhouse, stables and motor house, the addition of the Gallery Kitchen, restaurant and bar facility has been a significant part of the gallery’s transformation.
See above and below for the Haworth’s 2020 schedule of exhibitions, workshops and live music events. Many more functions, events, workshops and classes are organised by staff and volunteers of the Gallery, the Stables Studios, the Haworth Artists’ Network and – of course – the Friends. So stay tuned to our social media for more updates!






William was a philanthropic man. He gave generously of his time and money to many worthwhile causes and individuals in the area. He was a good employer, who paid decent wages and cared for the welfare of his workers. He was no saint, however, and didn’t suffer fools gladly. He was known to sport a sarcastic wit and a sharp tongue on occasion!
The Friends’ display also featured artifacts for visitors to see and handle, including a parasol and a silk beaded shawl, such as Anne would have worn; a top hat just like the ones William would have used; and Edwardian jewellery just like the objects Anne and Ellen would have possessed. Personal items of yesteryear, such as clogs, and period household items like laundry equipment were also on display.


If you’d like to play a role – large or small – in the Friends, or even just to join us for the social side of this lovely group, please don’t hesitate to drop us a line.





These incredible images are collected in the newly restored album of Hollins Hill, as it was then known, in the splendour of the Edwardian era.

William passed away in 1913 and Anne in 1920. Both died without direct heirs and they generously bequeathed the house and its contents to the Corporation of Accrington upon Anne’s death. In 1921 the house became the town’s principal museum and art gallery and was renamed in the Haworths’ honour.
Although it’s almost a hundred years ago, we see their lovely home as though the Haworths had stepped away just for a moment.









